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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
43.82 €
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Orchestre de chambre
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sodium (2009, rev. 2015) for string quartet, viola part
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.869417 Com…
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String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.869417 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #515277. Published by Thomas Oboe Lee (A0.869417). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!! I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate ⦠Adagio 2. Sodium Chloride ⦠Allegrissimo 3. Sodium Cyanide ⦠Adagio 4. Sodium Cyclamate ⦠Allegro 5. Sodium Pentothal ⦠Largo.
$9.99
9.32 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Thomas Oboe Lee
#
it was never performed
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Sodium
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Thomas Oboe Lee
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SheetMusicPlus
Sodium (2009, rev. 2015) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.8…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869410 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 26 pages. Thomas Oboe Lee #515271. Published by Thomas Oboe Lee (A0.869410). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!!I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate ⦠Adagio 2. Sodium Chloride ⦠Allegrissimo 3. Sodium Cyanide ⦠Adagio 4. Sodium Cyclamate ⦠Allegro 5. Sodium Pentothal ⦠Largo Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/sodium-2009-revised-without-texts-2015Video link: https://youtu.be/jCPlv1q6SYs
$9.99
9.32 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Thomas Oboe Lee
#
it was never performed
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Sodium
#
Thomas Oboe Lee
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SheetMusicPlus
Sodium (2009, rev. 2015) for string quartet, cello part
4 Violoncelles
String Quartet Cello,String Quartet - Level 4 - Digital Download SKU: A0.869415 Com…
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String Quartet Cello,String Quartet - Level 4 - Digital Download SKU: A0.869415 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #515279. Published by Thomas Oboe Lee (A0.869415). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!! I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate ⦠Adagio 2. Sodium Chloride ⦠Allegrissimo 3. Sodium Cyanide ⦠Adagio 4. Sodium Cyclamate ⦠Allegro 5. Sodium Pentothal ⦠Largo.
$9.99
9.32 €
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4 Violoncelles
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Thomas Oboe Lee
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it was never performed
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Sodium
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Thomas Oboe Lee
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SheetMusicPlus
Sodium (2009, rev. 2015) for string quartet, violin 1 part
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet,Violin - Level 4 - Digital Download SKU: A0.869411 Co…
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String Quartet String Quartet,Violin - Level 4 - Digital Download SKU: A0.869411 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #515273. Published by Thomas Oboe Lee (A0.869411). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!! I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate ⦠Adagio 2. Sodium Chloride ⦠Allegrissimo 3. Sodium Cyanide ⦠Adagio 4. Sodium Cyclamate ⦠Allegro 5. Sodium Pentothal ⦠Largo.
$9.99
9.32 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Thomas Oboe Lee
#
it was never performed
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Sodium
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Thomas Oboe Lee
#
SheetMusicPlus
Sodium (2009, rev. 2015) for string quartet, violin 2 part
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet,Violin - Level 4 - Digital Download SKU: A0.869412 Co…
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String Quartet String Quartet,Violin - Level 4 - Digital Download SKU: A0.869412 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #515275. Published by Thomas Oboe Lee (A0.869412). Sodium was originally titled Jasmine Variations. It was a setting of poems by Jasmine Lin, who is both a superb violinist and a poet. But that work never materialized; it was never performed. So I thought maybe the work for practical considerations should be a purely instrumental work, without the texts. With a little nip and tuck, here and there, it is now a bona fide string quartet; my eleventh!!! I did not like the sound of the title, String Quartet No. 11. So I decided to call it Sodium. Why? The atomic number for sodium is 11. The quartet is in five movements. 1. Sodium Bicarbonate ⦠Adagio 2. Sodium Chloride ⦠Allegrissimo 3. Sodium Cyanide ⦠Adagio 4. Sodium Cyclamate ⦠Allegro 5. Sodium Pentothal ⦠Largo.
$9.99
9.32 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Thomas Oboe Lee
#
it was never performed
#
Sodium
#
Thomas Oboe Lee
#
SheetMusicPlus
The Lord's Prayer
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1113306 Composed by Colin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1113306 Composed by Colin G Dance. Christian,Religious. Octavo. 12 pages. Dance is With Music #715245. Published by Dance is With Music (A0.1113306). This is the original choral version of this work â with piano accompaniment. I think itâs a very effective work, but sadly the Musical Director of the choir for whom it was written thought âthe parts were too highâ and it was never performed. She may have been right about the alto part, but it was the way she said it after I presented her with 40 copies for her choir. Guess what? I didnât write another thing for them, and no, Iâm not telling you which choir it was, but they are from Exmouth in Devon and they were formed in 1997.
$3.00
2.8 €
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Chorale SATB
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Colin G Dance
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The Lord's Prayer
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Dance is With Music
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SheetMusicPlus
Lithuanian Nonet for winds & strings
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Down…
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄla. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891â1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄda, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ PetrauskaitÄ managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄda School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song âAutumn will Comeâ, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ, and the third one (Allegro) of the song âOh, you Bird Cherryâ. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄda Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachersâ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄda, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄla, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ PetrauskaitÄ.
$59.99
55.99 €
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Juozas ŽileviÄius
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Kazys DaugÄla
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Lithuanian Nonet for winds & strings
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Kazys Daugela
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SheetMusicPlus
It was a lover and his lass (a modern madrigal) for SATB choir
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.576648 Composed by David Warin Solom…
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Choral Choir (SATB) - Digital Download SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.
$2.99
2.79 €
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Chorale SATB
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David Warin Solomons
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It was a lover and his lass
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David Warin Solomons
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SheetMusicPlus
Tra-La-La
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775294 Composed by George Gershw…
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Brass Quintet - Level 2 - Digital Download SKU: A0.775294 Composed by George Gershwin, Arthur Francis. Arranged by Bill Wilson. Broadway,Musical/Show. 10 pages. Alexander Wilson #4796741. Published by Alexander Wilson (A0.775294). Tra-La-La, by master composer George Gershwin and lyricist Arthur Francis, is a cute little tune with occasional surprises. Tra-La-La was written for the 1922 Broadway show For Goodness Sake. However, it was never performed in that show. Almost 30 years later it was included in the movie An American in Paris. Our arrangement shares lead responsibilities between first trumpet, French horn, and trombone. Performance time is approximately 1:39. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.73 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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George Gershwin, Arthur Francis
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Bill Wilson
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Tra-La-La
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Alexander Wilson
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SheetMusicPlus
Diversions for Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1129702 By Jeremy Cullen. By Jeremy Cullen. 20th Century,Chamber,Contemporary,Instructional. 34 pages. Jeremy Cullen #730113. Published by Jeremy Cullen (A0.1129702). This suite was originally written for the high school woodwind quartet that I played clarinet in (two oboes, clarinet and bassoon). It was never performed by that ensemble. In 2021 I arranged Diversions for wind quintet and it was recorded by the Novos Ventos Woodwind Quintet in SaÌo Paulo, Brazil.
$10.00
9.33 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Jeremy Cullen
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Diversions for Wind Quintet
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Jeremy Cullen
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SheetMusicPlus
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Piano reduction + Cello Solo part)
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.868901 Composed by Lev PULVER (188…
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Cello,Piano - Level 4 - Digital Download SKU: A0.868901 Composed by Lev PULVER (1883 â 1970). Arranged by Sergei PICHUGIN. 20th Century,Concert,Jewish,Standards,World. Score and part. 15 pages. Really Good Music, LLC. #4811245. Published by Really Good Music, LLC. (A0.868901). This is the first publication of the Jewish Dance for cello solo and orchestra by Lev PULVER (1883 â 1970), based on the autograph manuscript of the score, realized and edited by Sergei Pichugin. The piano reduction of the composition has been made by the author. The piece was composed in 1942â43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$40.00
37.33 €
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Violoncelle, Piano
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Piano reduction + Viola Solo part)
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.869058 Composed by Lev PULVER (188…
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Piano,Viola - Level 4 - Digital Download SKU: A0.869058 Composed by Lev PULVER (1883 â 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and part. 15 pages. Really Good Music, LLC. #6487687. Published by Really Good Music, LLC. (A0.869058). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and orchestra by Lev PULVER (1883 â 1970), based on the autograph manuscript of the score, realized and edited by Sergei Pichugin. The piano reduction of the composition has been made by the author. The piece was composed in 1942â43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$40.00
37.33 €
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Alto, Piano
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full score + Set of Parts)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (1883 â 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4822415. Published by Really Good Music, LLC. (A0.868902). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 â 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942â43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
121.34 €
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Orchestre
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Set of Parts)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (1883 â 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4811241. Published by Really Good Music, LLC. (A0.868899). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 â 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942â43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
121.34 €
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Orchestre
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full Score + Viola Solo part)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (1883 â 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 28 pages. Really Good Music, LLC. #4822417. Published by Really Good Music, LLC. (A0.868903). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 â 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942â43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
84 €
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Orchestre
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Cello Solo part)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (1883 â 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 25 pages. Really Good Music, LLC. #4811235. Published by Really Good Music, LLC. (A0.868900). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 â 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942â43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
84 €
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Orchestre
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
South Bay Angle for violin and piano
Violon et Piano
Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed…
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Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringoâs Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didnât work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
26.13 €
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Violon et Piano
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Robert M
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South Bay Angle for violin and piano
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Robert M. Greenberg
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp.…
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German ⢠English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagnerâs ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÃNDER (Original version) With this edition, the original version of Wagnerâs opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).â (Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of âRomantic Opera in One Act and Three Scenesâ. This version is set in Scotland, taking as the literary model for the opera Heinrich Heineâs novel fragment âFrom the Memoirs of Mr. Schnabelewopskiâ, and the protagonists have English names. This version was never performed in Wagnerâs lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed characterâs names as appropriate, divided the opera into three acts â not least due to considerations of scene changes â and transposed Sentaâs Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called âTristanâ or âRedemptionâ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : LâOr du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
40.13 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater:…
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagnerâs ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÃNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagnerâs works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.â (Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of âRomantic Opera in One Act and Three Scenesâ. This version is set in Scotland, taking as the literary model for the opera Heinrich Heineâs novel fragment âFrom the Memoirs of Mr. Schnabelewopskiâ, and the protagonists have English names. This version was never performed in Wagnerâs lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed characterâs names as appropriate, divided the opera into three acts â not least due to considerations of scene changes â and transposed Sentaâs Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called âTristanâ or âRedemptionâ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.79 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Moon River
Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By…
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. ãã ã¼ã³ãªãã¼ãã¯ããã³ãªã¼ã»ãã³ã·ã¼ããä½æ²ããã¸ã§ãã¼ã»ãã¼ãµã¼ãæè©ãæ¸ããæ²ã§ãããã¨ãã¨ã¯1961å¹´ã®ã¢ã¡ãªã«æ ç»ããã£ãã¡ãã¼ã§æé£ããã§ãªã¼ããªã¼ã»ãããã¼ã³ãæããã¢ã«ããã¼è³ã®ææ²è³ãåè³ãã¾ãããã¾ãã1962å¹´ã®ã°ã©ãã¼è³ã®æåªç§ã¬ã³ã¼ãè³ã¨æåªç§æ¥½æ²è³ãåè³ãã¾ããã It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99
13.99 €
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Henry Mancini
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Keith Terrett
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Moon River
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Keith Terrett
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SheetMusicPlus
I Never Dreamed Someone Like You Could Love Someo
Ligne De Mélodie, (Paroles) et Accords
Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880955 Co…
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Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880955 Composed by Giuseppe Donaggio and Merrit Malloy. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6357263. Published by MARCO POLO IGNACIO (A0.880955). I Never Dreamed Someone Like You Could Love Someone Like Me is a song included in the soundtrack of the OST of the movie Carrie (1976), which was written by Merrit Malloy and Pino Donaggio. It was performed by Katie Irving.
$4.99
4.66 €
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Ligne De Mélodie, (Paroles) et Accords
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Giuseppe Donaggio and Merrit Malloy
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Marco Polo C
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I Never Dreamed Someone Like You Could Love Someo
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MARCO POLO IGNACIO
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SheetMusicPlus
Peg O' My Heart
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1399497 Composed by Alfred Bryan an…
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Piano Solo - Level 4 - Digital Download SKU: A0.1399497 Composed by Alfred Bryan and Fred Fisher. Arranged by Timothy Stapay. Broadway,Celtic,Film/TV,Irish,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #982786. Published by Timothy Stapay (A0.1399497). Peg o' My Heart was written in 1912 by Alfred Bryan and was based on a musical comedy by the same name. While it was first performed in New York City, the song has long been associated with St. Patrick's Day because of the Irish connections in the musical.The beauty of this song lies in its ability to transcend time and connect with listeners on a personal level. Its simple yet profound lyrics capture the essence of love and longing, allowing listeners to reflect on their own experiences and emotions. Whether it reminds you of a lost love, a distant memory, or a cherished moment, âPeg Oâ My Heartâ has a way of evoking raw emotions and stirring the soul.Lyrics: Peg O' My Heart, I love you, We'll never part, I love you, hear little girl, Sweet little girl, Sweeter than the rose of Erin, are your winning smiles endearin', Peg O' My Heart, Your glances with Irish art entrance us, Come, be my own, Come, make your home in my heart.
$5.99
5.59 €
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Piano seul
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Alfred Bryan and Fred Fisher
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Timothy Stapay
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Peg O' My Heart
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Timothy Stapay
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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Trompette, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
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